Here it is sitting on one of the work benches in my studio. The Horned God part of its title comes from the branches coming out of either side of it. And the Orifice bit – well that’s probably quite obvious.
This small drawing from my pocket sketchbook was made early on when I first thought about starting the Orifice Box series. Unlike the Horned God and Frankenstein’s Orifice Boxes this is to be left plain except for an external drawing decoration. I have yet to start this one though.
In this image you can see that, in-keeping with my love of using found materials, I have used the backboards from some old paintings. They came from the Victoria and Albert Museum in London and you can clearly see one of the original labels and some of the remnants of gum tape. Although you can’t see it from the two photos, the inside of the Horned God Orifice Box is lined with a collage of bits of early 20th Century newspaper and over-drawn in a similar style to the external pattern on the small drawing above.
One thing that I want to get back into the habit of doing is the quick-fire drawing sessions that I used to do every night before I went to bed. I particularly enjoy the very fast sketches that only take a few seconds to execute. What you loose in accuracy you tend to gain in vibrancy. This one was made after I’d started the new series of Orifice Box sculptures and is a kind of cross between them and my earlier wall-mounted Orifice sculpture.
