'21 Steps' exhibition ( Liverpool)

Tomorrow morning I'm getting up bright and early and heading off to Liverpool. It's probably been a good twenty years since I last visited this lively city so when David Crawley, the director of Up And Coming Arts, asked me if I'd like to exhibit in his new exhibition I jumped at the chance. The show is called '21 Steps' and one of it's main sponsors is Liverpool Football Club.
Unfortunately I have to head back to London the same day so I won't be able to enjoy the musicians, bands and DJs that have signed up for Friday's opening party but if you are in the area and want to see what's going on then feel free to check out the Up And Coming Arts blog for all the details.

My contribution to the exhibition (which takes place over two venues) will be these three works – a painting, a pencil drawing and a print.

The painting is called 'The Ambassadors' and takes its figurative element from a photograph that appeared in many of the British tabloids a few years back. It shows a fight between some English and Turkish 'football fans'.
Like many of the paintings that I made at the time that I painted this one, it is painted on a shallow box structure that I constructed and the lines sheer off over the edge. The white line of the drawing is actually the primed surface showing through, so when you view the piece in the flesh, so to speak, your eye fluctuates slightly between the painted surface and the line drawing below. This can give the impression (from a certain distance) that the line of the drawing vibrates slightly.

I'm quite pleased with the pencil drawing but unfortunately the picture here doesn't do it justice – something that can be put down to my limited technical skills in the photographic department. The sketch is of a selection of found objects that I had lying around in my old studio but which I decided to draw as if they had mutated slightly and then morphed into one another. I think that it must have been one of those slow days, sculpturally, when I didn't have any big projects on the go and just decided to mess about a bit.

And lastly but hopefully not least, there's my Spidey Pods screen prints which will be on sale at the exhibition for £167 each. However, if you can't make it to Liverpool for the show but would like to purchase a print direct for me then please feel to drop me a line at waynechisnall@yahoo.co.uk .

Stone Totem Tower

In an increasingly materialistic world I'm not sure whether my love of found objects and appreciation of the beauty of rubbish (I'm actually mentioned in an on-line dictionary under detritus – nice!) is a good or bad thing. On the one hand most of the materials that I work with don't cost me anything but on the other I'm a compulsive hoarded so tend to fill my live and work spaces to capacity.

Most hoarders justify their activities with phrases like 'but I'll definitely use it' or 'as soon as I throw it away you just know that I'll need it the next day'. And it's true – I do use a lot of the stuff I collect but some individual items have been known to sit around for decades before they graduate to the 'status' of art material. One such item is a pebble which I've just used in a mini sculpture and belated birthday present for fellow artist Remi Rough.

I like the idea of taking everyday bits of rubbish or found objects, removing them from their original environments and displaying them in a way that elevates them (in this piece, literally) to something akin to that of an artefact. This is more evident in my earlier sculpture, The City, which with its multiple glass fronted boxes looks more like a mobile Cabinets of Curiosity.

But getting back to the pebble - I was trying to remember where I originally picked it up and how long I've had it for. Although all I could recall was that it's been sitting on my book shelf for as long as I can remember and has travelled with me as I moved home for at least the last twelve moves. Then I came across this, one of my earliest prints made some time in the early 90's and realised that it was the same pebble.

Official Domus Launch

Last week saw the official launch (the earlier one was more of a late Christmas party) of the new Domus showroom at 50 Great Sutton Street in Clerkenwell, London.

In this i-phone snap taken by photographer, Rosie Mayell (ever vigilant for that potentially embarrassing photo op), you can see myself and fellow artist, Julian Wild, taking full advantage of a Domus spot light as we left the party. Julian and I both currently have sculptural work on display at Domus.

Nail Heart

It's been a few weeks now since I last posted anything on my blog (partly due to excesses of the festive season and partly due to with me having to deal with an unusually large accumulation of boringly non-arty grown-up things – oh, if only I could just spend the rest of my life in a big, purely creative bubble) so I thought it about time that put up something new.

I've recently been tinkering with a few new sculptures - this being the smallest, which I made as a present for the photographer Rosie Mayell (who kindly photographed it for me). I'll post some pics of the others at a later date. As you can see, the piece is a wooden heart and much like my Nail Box sculpture, it's pierced with rusty nails and the odd screw here and there. Both pieces are heavily influenced by the minkisi carvings of the Congo.

Being a big fan of the immediacy of power tools, I carved the body of the Nail Heart on a band-saw which greatly sped up the carving process. The band-saw proved surprisingly versatile as a carving tool, if not a little scary – luckily I managed to finish the job with the same amount of fingers with which I started.

Before I added all the nails I let a few friends handle the lightly sanded and waxed wooden heart as it had a very tactile quality. And more than one person put this down to the fact that part of it looked and felt like a bottom. What can I say - maybe something subconscious filtered through during the production stage.

Show Comes Down Early

If any of you planned to catch the current Urban Curations exhibition at the Triple X Tattoo studio in Hackney, London I'm afraid to say that the show has already come down. It had to be cut short as Triple X Tattoo are now re-locating to a new studio in Leytonstone, East London.

I popped along this evening to collect my toy tower sculpture, Magnet. As I just live round the corner from the show, at the bottom of the now artistically fashionable Vyner Street and as my sculpture is mounted on wheels I decided to take a gamble and push my work home. It took a while but I as it got home in one piece I now feel reassured by the robustness of its construction. Although having to carry it up three flights of stairs did make me question the logic of simply not taking it back to my studio.

Unfortunately I didn't get to have a proper look at the show before it came down. I missed the opening night as I was still in Miami for Art Basel and since I've been back in the country I've busy trying to sort out a few future projects before the Christmas holidays. One of them is a nine piece screen print box-set in collaboration with the fabulous Mister Remi Rough – but more about that in the New Year.

Domus Launch Party

Today saw the launch of the new Domus showroom at 50 Great Sutton Street in Clerkenwell, London. Working closely with Sam Frith and David Kong I co-curated the art exhibition side of the venue's launch. Domus has gone for an industrial and relaxed look but clearly haven't tried to fill every nook and cranny of their new space with their products, so the artwork that is on display doesn't look boxed in. Although not an art gallery, Domus Clerkenwell has a planned programme of integrated art exhibitions and the artwork currently on show is by Julian Wild, Gary Martin and myself. One of Julian's 'System' sculptures (a sphere made from copper pipes) is situated above and to the right of the fire place in the outside court yard, whilst Gary's 'Sink and Swim' sculptures that look like inflated arm bands can be found downstairs, aptly placed upon Domus' corner section of a swimming pool.

As Domus' main clients are architects, my 'And When I'm a Man' sculpture seemed the most fitting piece to show since it closely mirrors the preiser figures (some of which I noticed were used to decorate this year's Domus Christmas tree) that populate many an architectural model. And to coincide with the launch my sculpture also got a bit of a make-over. Over the years the piece had suffered a couple of knocks whilst in storage so now felt like the right time to sand it down, strengthen the joints, re-fill them and then give it a shiny new re-spray.

One of the many nice touches at today's launch was the group of waiters and waitresses that caught everyone off guard when they unexpectedly burst into song. They all had amazing operatic voices and the acoustics of the space seemed pretty darn good too.

2011 RCA Secret Postcards Revealed

Now that this year's RCA Secret has come to an end I can reveal my entries. This year I entered three drawings under my given name, Wayne Chisnall, and three painted and drawn-over Swirly Skull prints under my nickname, Chig.

To see all six postcards just go to my Oodles of Doodles blog.


And to find out the names of the artists behind any of this year's artwork you can still view this year's cards online.

Tattoos and Toys

I'm pleased to announce that I've been invited to exhibit my toy tower sculpture, Magnet, in the new Urban Curations exhibition. The show is curated by Infinity Bunce in conjunction with Triple X Tattoo.

Unfortunately I won't be able to make it to the opening night on Saturday 3rd December as I'll still be in Miami for Art Basil but do feel free to pop along if you happen to be in the area.

The venue is Netil House, Studio 206, 1-7 Westgate Street, London E8 3RL, England.

RCA Secret Artists' Party 2011

Last night saw the RCA Secret's eighteenth birthday launched with a party and Champagne reception, as a thank you to all the artists that have supported the project.

As usual the show is held in the Royal College of Art's Gulbenkian Galleries in Kensington Gore, London SW7 2EU and the same rules apply. The original postcard-sized artworks produced by internationally acclaimed artists and up-and-coming graduates from the RCA will be on display for a week before going on sale to the public.

The 'secret' part of the show is that the cards are only signed on the reverse, keeping the artwork's author a mystery (although I know a few dedicated RCA Secret fans who usually work out pretty much who's produced what) up until the point that the card is purchased. Each card is priced at £45 and a maximum of for cards may be purchased per person but if you fancy joining the queue I suggest you get there early as I already saw one person camped out last night (a week ahead of the opening). Oh yes – and you'll have to register first.

If you can't make it to the show before the opening fear not as you can view this year's cards online.

As per usual, I've submitted three separate cards under both of my names,' Wayne Chisnall' and 'Chig'. Is that wrong? - I think not. There are no prizes this year for guessing which ones are mine as I think that most of them are pretty obvious. But do feel free to drop me a line if think you've worked them out and want to assess you powers of deduction.

Here's a photo of me at the party with the photographer, Rosie Mayell, obviously enjoying the Champagne a bit too much.

Unfortunately I won't be able to make it to the opening of this year's show on Saturday 26th of this month as I'll be jetting off to Miami for the opening of Art Basel. I'm looking forward to a few days of driving round the Florida Keys in a convertible (and possibly doing a spot of alligator wrestling) before hitting the fair for arty brunches, parties and exhibitions. I've already packed my best Don Johnson/Miami Vice outfit (circa 1984).

Nail Box in Art and Auction Magazine

My Nail Box sculpture is due to be featured in the December issue of Art and Auction magazine as part of an ad campaign for the New York-based art storage and transportation company, Crozier Fine Arts, who are the global art logistics partner for Ai Weiwei's 'Circle of Animals/Zodiac Heads'.

Photo by Rosie Mayell.

My Work on The Culture Show

Here's a six and a half minute item by Michael Smith, investigating the cultural highlights of Birmingham. It appeared in Friday night's edition of The Culture Show on BBC 2 and briefly features (almost 2 minutes into the item - for those of an impatient disposition) my sculpture, The City, which was on show at the Creative Machines, Minimalist Sculptures exhibition at the old Curzon Street Station, as part of Birminhgam's The Event 2011.
Alternatively, you can click on this Culture Show link which will take you direct to the relevant page of the BBC website.

RCA Secret Blog Interview

Well it’s that time of year again and the RCA Secret postcard show is almost upon us. It seems to come round faster every year and as usual I only just made the deadline for getting my cards into the show. This year, because of other mounting arty-farty commitments, I left things a bit late and was working on my six entries (three cards as Wayne Chisnall and three as Chig, the name I used to illustrate under and the one I'm more commonly known by back home) up until 3AM the night before the last handing-in day.

For anyone that fancies finding out what I and a few of the other regular contributors the RCA Secret think about the show please feel free to check out our interviews on the RCA Secret blog.

Here are a couple of my entries from last year’s RCA Secret show.

This one, Werecrow, under the name Chig…

And this one as Wayne Chisnall.

The Event at Curzon Street Station, Birmingham

The launch night of The Event 2011 went off fantastically and I would definitely recommend that anyone who finds themselves in Birmingham between now and the 30th of this month should pop along to see it. And I’m not just saying that because I have a piece in the show. Even if you are not that interested in art (of which there are some great examples in the exhibition – I particularly liked the MDF sculptures) it is definitely worth going just to check out the time capsule that is the old Curzon Street Station – an old railway station building that is very rarely opened up to the public.

Up until I got off the train at Moor Street and headed for the show I didn’t know anything about the venue but once I saw it I was mightily impressed. Curzon Street Station is a haunting looking cube of a building standing alone in a waste land (the surrounding land presumably having been cleared to make way for new developments). If you do manage to make it to the show then check out the mummified cat set into the wall of the main entrance. Apparently if was discovered by builders whilst they were doing some renovation work and is thought to have been deliberately bricked up in the walls when the building was first built. Some sort of superstitious/good luck thing I believe.

Here’s picture of me tinkering with my sculpture, The City (photo courtesy of Rosie Mayell).

TROVE: THE EVENT 2011
21 – 30 October 2011
Launch Night – Fri 21st (5-9pm)
Curzon Street Station,
corner of Curzon Street and New Canal Street
(opposite Millenium Point),
Birmingham B4 7XG
UK
(Nearest train station: Moor Street Station)

DOMUS

If any of you have walked along Great Sutton Street in Clerkenwell, London recently there’s a fair chance that you will have seen what I’ve been up to on the side of a 35 metre long hoarding. No, I’ve not decided to try my hand at being a street artist (I’ll leave that other, more stealthy characters) – instead I’ve been commissioned by Domus to decorate the hoarding that currently covers the front of their new and soon to be completed showroom.

Domus is the leading UK supplier and specification advisers of tile, mosaic and stone solutions for commercial and residential projects and as well as displaying a massive selection of their fine wares the new showroom will also incorporate a large gallery space for the exhibition of artwork. As well as designing and painting the hoarding (with a lot of help from fellow artists and friends, Sam Frith, Lola Gunn, David Kong and others) for Domus and have also been asked me to curate the exhibition space once it opens.

To coincide with the opening of the new showroom and because their main clients tend to be architects, Domus have commissioned artist, Jessica Walters, to create thirty 45cm tall miniature sculptures based upon the small figures that populate architectural models. These figures (all modelled on Domus employees) are being positioned in public spaces around the city and three of them can already be found high up on the wall of the building opposite the showroom, nestling in some old fireplaces that were exposed during the WWII bombings.

To see the work in progress for both the building site and the hoarding check out Steve Charles’ photos.

Launch Party – This Friday

This Friday will see the launch of The Event 2011 at Curzon Street Station, Curzon Street, Birmingham. I’ll be exhibiting my sculpture, The City (see the post below) and will be at the show from 5pm when it opens. If you are in the mood for checking out some art that night and in the area then please feel free to pop along and join me.

TROVE: THE EVENT 2011
21 – 30 October 2011
Launch Night – Fri 21st (5-9pm)
Curzon Street Station,
corner of Curzon Street and New Canal Street
(opposite Millenium Point),
Birmingham B4 7XG
UK

(Nearest train station: Moor Street Station)

Artists include: Wayne Chisnall, Stephen Cornford, Jamie Jackson, Markus Kayser, Rob Mullender, Alex Pearl, Ben Rowe, Martin Sexton, Laura Skinner, Minnie Weisz, Luke Williams and Adam Zoltowski

Orifice Tower (Work Nearing Completion)

I seem to have been neglecting my blogs the last couple of weeks so I thought I’d give you an update on the progress of my latest tower sculpture (which is a much taller variation on my recent series of Orifice Box sculptures).

As I’m sure you’ll notice it’s now at least twice the height (around 6 foot tall) that it was at just a few posts ago. I’ve designed the sculpture so that it can be bolted together in three separate sections – which should make it a lot easier to transport to and from exhibitions. It’s still not completely finished as I’m still adding a few details but you get a rough idea of what the final piece will look like. I’ve also been working on a ‘Planetiod’ piece but I’ll tell you more about that one later.

Repurposing with a Passion

My work and I (god, I sound like the queen) have just been featured in the article, ’Repurposing with a Passion’ by the artist, writer and curator, D. Dominick Lombardi. In the article for Public Art and Ecology Magazine Beijing, China, Lombardi asks a number of artists from around the world to answer four questions about their art practice and the use of recycled materials in that practice. The article starts on page 59 of the magazine and my work is featured from pages 61-63 (the 2nd and 3rd pages of the article as they appear on screen).

Of my work Lombardi says:
‘From his studio in London, England, Wayne Chisnall creates art that references such things as structure, time and Modernism as they pass through a very contemporary mindset that focuses on humor, transience, functionality and futility. There is also the presence of popular culture in his thinking, as he addresses the differences between reality and perception, and how that affects the needs, wants and even the formation of
the human psyche.’

To find out what questions Lombardi asks of his chosen artists and to find out our responses please feel free to check out the article.

“Repurposing with a Passion”
by D. Dominick Lombardi.
Public Art and Ecology Magazine
Beijing, China
http://media.icompendium.com/ddlombar_RepurposingwithaPassion.pdf

Above photo courtesy of Phil Sofer

Big Up from Hattie Collins

I’d like to say a big thank you to the lovely Miss Hattie Collins (Editor of RWD magazine, Music Editor for i-D Magazine, freelance contributor for The Sunday Times, The Guardian, Q etc and all round music journalist extraordinaire) for giving me and my work a mention in her interview with Arts London News.

Hattie was one of the first people to buy one of my limited edition Spidey Pods screen prints when I brought them out so what can I say – she obviously has good taste!
My Spidey Pods prints, along with my Swirly Skulls prints, are now available at various outlets in Carnaby Street and Leicester Square, London but if you would like one direct from my good self at the commission-free price of £100 then feel free to drop me a line at waynechisnall@yahoo.co.uk
and we’ll work out how best to get one to you.
The prints are all hand pulled, 3 colour, screen prints on acid-free, archival paper. The paper size is 58.6 cm x 54.2 cm (image 38.7 x 39.4 cm). Every print is signed and numbered (maximum edition of 300).

Planetoid Designs

I’ve been spending a lot of time in my studio lately, working on my new Orifice Tower sculpture – which is coming along nicely (although I’m probably being a bit over indulgent with the fine details). However, in between waiting for the glue to set on some of the joints and inner box structures, I’ve been working on a few sketches for a potential new body of work and experimenting with a new material. The material in question is soil (well, it’s new to me as an art material). The designs are based upon an idea I had a few years ago – and are a follow on from the sketch that I made at the time.

The designs all feature buildings or building-like structures perched upon spherical planetoid-like masses that are far too small to properly support them. This tiny drawing shows a small cluster of towers.
The challenge with using soil as an art material is to find a way of stabilising it but fortunately my first experimental mixture of soil, glue and other materials seems to have worked even better than I’d expected - so I’m raring to go with the first piece.

Orifice Tower (Work in Progress)

As much as I love socializing and taking full advantage of London’s amazing nightlife I have some how managed to make a bit more time for my studio practice. And the latest piece that I’m working on is a variation on my recent Orifice Box sculptures. But this time I’ve decided to elevate the work and substitute my signature wheels with a rickety wooden box and scaffold-like framework.

Like my wheeled orifice box structures this one also has a carved elliptical orifice in the front face of the box. This work-in-progress photo shows the top half of the sculpture that will eventually stand at around six foot tall. In the lower right-hand corner of the photo you can see one of my sketchbooks and the working drawing for the new orifice tower.

And here’s a closer view of the drawing – showing a few mid-process alterations.

Being a bit of a night-owl I prefer to work through the early hours. This means that I have the building to myself so can have the radio on pretty much as loud as I like. My friend Lisa gave me an old Roberts radio and the only bearable channels that get a clear reception are Radio 3 and 4, so I tend to mostly listen to classical music while I work.

Anyway – I’ll get to the point. A few nights ago, whilst working on this new piece I happened to be listening to some very fine choral music and it struck me that the orifice section of the work looked a bit like a mouth, singing. So I quickly sketched out this idea for a set of new orifice tower sculptures, each equipped with an internal speaker and collectively playing the same piece of choral music. Hopefully I’ll get to make this new body of work one day but it’s also very likely that it’ll just get relegated to my sketchbook graveyard of creative ideas.