Synthetic Life

As anyone who knows me will testify, I could never be accused of being a science geek but I do admit to a fascination with the more awe inspiring and fantastical theories and developments in contemporary science – especially in physics and biology (none of which I would ever claim to understand in any great depth – just deep enough to generate as sense of wonder). So I was delighted when Alec Bartos, on behalf of the Purdue University in Indiana USA, asked if they could use an image of my And When I’m a Man sculpture to advertise today's talk 'Synthetic Life: A New Industrial Revolution?' The talk is being given by Dr Gregory Kaebnick, editor of the Hastings Center Report and Bioethics Forum.

Although unable to make it to the lecture myself (what with it being in the US and me being here in little old London) I'm led to believe that the theme is synthetic biology and the idea that there might be a new industrial revolution: combining non-living parts to make a living thing, or a combination of living and non-living things - with Dr Kaebnick talking about whether or not this is even possible and what the implications might be for the ways we view humanity and the non-living world.
As I said, I'm a sucker for that kinda thing so I hope that it all goes well and that someone thought to film it and stick it up on the web.

Poster design by Alec Bartos.

Domus Launch Party

Today saw the launch of the new Domus showroom at 50 Great Sutton Street in Clerkenwell, London. Working closely with Sam Frith and David Kong I co-curated the art exhibition side of the venue's launch. Domus has gone for an industrial and relaxed look but clearly haven't tried to fill every nook and cranny of their new space with their products, so the artwork that is on display doesn't look boxed in. Although not an art gallery, Domus Clerkenwell has a planned programme of integrated art exhibitions and the artwork currently on show is by Julian Wild, Gary Martin and myself. One of Julian's 'System' sculptures (a sphere made from copper pipes) is situated above and to the right of the fire place in the outside court yard, whilst Gary's 'Sink and Swim' sculptures that look like inflated arm bands can be found downstairs, aptly placed upon Domus' corner section of a swimming pool.

As Domus' main clients are architects, my 'And When I'm a Man' sculpture seemed the most fitting piece to show since it closely mirrors the preiser figures (some of which I noticed were used to decorate this year's Domus Christmas tree) that populate many an architectural model. And to coincide with the launch my sculpture also got a bit of a make-over. Over the years the piece had suffered a couple of knocks whilst in storage so now felt like the right time to sand it down, strengthen the joints, re-fill them and then give it a shiny new re-spray.

One of the many nice touches at today's launch was the group of waiters and waitresses that caught everyone off guard when they unexpectedly burst into song. They all had amazing operatic voices and the acoustics of the space seemed pretty darn good too.

New Model Kit Designs

I’m currently working on some designs for a new series of wall-mounted low relief sculptures. Like my And When I’m a Man piece (which was made from 12 casts of my own body), these new works will be based upon the pre-assembled Airfix-style model kits that many of us used to make when we were kids – except that these new ones will be much smaller than my original life-sized one. For this project I will be working in collaboration with the on-line arts magazine, FAD and the California-base industrial designer, Noel Wilson.

And like my second model kit based sculpture, Baby Kit, which subverted the whole point of the model kit (being that the sum of all its parts didn’t actually make a whole), the new series aims to do this a little more subtly by substituting just one element with something from an unrelated figure. In the case of this working drawing the left arm has been replaced with an octopus tentacle. In another design I have substituted the right leg for that of Daffy Duck.

This design which is based upon Leonardo da Vinci’s Vitruvian Man drawing probably won’t be part of the new series of sculptures. It was just an idea that I had whilst I was sketching out the tentacle element of the first drawing and I couldn’t resist putting it down on paper to see how it looked.
Although I’ve always loved da Vinci’s drawings it wasn’t until I copied out the head and torso section of his Vitruvian Man that I really got a feel for the brilliance of his draughtsmanship. There’s a wonderful accuracy and economy of line in his drawing. I would advice anyone to get a piece of tracing paper and copy one of his sketches – just for the feel and flow of it.

Vote For Me (please)

If anyone is feeling generous enough to spend a minute or two to vote for my piece in the Saatchi On-line Showdown I would be a very happy bunny. I have entered my giant green model kit sculpture, And When I'm a Man. Unfortunately you have to sign up first (although you don't have to give any more details other than a name and your email address) and then come back to this link to find my work – but at least then you get to check out all the great artwork by thousands of other artists and decide which ones you think should make it into the next round. If you fancy taking part then hear's the link. Cheers.

States of Reverie – Opening Night

I'd like to say a big thank you to everyone that made it to the opening night of the States Of Reverie exhibition at Scream on Thursday 13th (I should really have posted this over a week ago but it's been a busy couple of weeks). The turn out was amazing and it was only afterwards when a friend emailed my this wireimage link that I realised how many famous faces were present. After checking out the link it seemed that the place had been full of actors, designers, musicians and models. Needless to say, I didn't see a single one of them – I must have been wondering around in my own little bubble again.

Glen Matlock (of the Sex Pistols) and Jo Wood were amongst the guests...

along with actor, Sean Pertwee - seen here with Scream's very own press officer, Lee Sharrock.

And here's a picture of me looking a little drunk (although I promise I wasn't at this point. However, what condition I ended up in at the after-party at China White's is another matter entirely) in front of my giant model kit sculpture. Incidentally, I was totally blown away by how fast and by how many sites my model kit sculpture, And When I'm a Man, appeared on after an image of it appeared in my last post. I think that Laughing Squid might have been the first to feature it but it also soon appeared in the Huffington Post and on Boing Boing, as well as dozens of other sites. So thanks everybody.

'States of Reverie' exhibition at Scream

This Thursday sees to opening of States of Reverie at the Scream Gallery in Mayfair, London - where I will be exhibiting three of my sculptures (And When I’m a Man, Magnet and Book Tower II). The other six artists in the show are Clare Chapman, Chinwook Kim, Ann-Marie James, Malgosia Stepnik, LG White and Guillermo de Zamacona.

‘And When I’m a Man’ which is basically a life-size version of myself as a 12 piece, pre-assembly, model kit will be hanging on the gallery’s office wall for the duration of the show. 
As well as being a self-portrait, the piece engages with my interest in nostalgia and childhood perceptions of adulthood (and the role that toys play in this). One important aspect of the piece is its colour. When constructing the sculpture I tried to find the same colour as the green plastic soldiers that he used to play with as a child. But rather than go back and find examples of these toys to get an accurate match, I chose a colour that matched my memory of it – recognising that the passage of time would have altered and exaggerated the memory and produced something far more lurid.

And When I’m a Man was produced in 1998 but apart from appearing in a couple of small shows around that time and a brief appearance in the film Scratch directed by Jakob Rørvik, it has sat in storage at Candid Arts in Islington – until now that is.

I created ‘Book Tower II (Nostalgia For a Childhood That Wasn’t Mine)’ (also see Book Tower) last year for a show at a gallery in Redchurch Street, East London. Although I was wasn’t 100% happy with its proportions and thought it looked a bit stubby, so last week I added two more books to raise it to just the right height. So the image you see here is slightly different than the one you will see in the gallery from Thursday onwards.
Apart from the base section, none of the books are glued together – instead they all have cut away sections and are then slotted together. The construction process for the piece started of relatively straight forward enough. However, as the piece grew and got taller the construction processes dictated that the structure had to be regularly dismantled and reassembled in order to enable the addition of more sections. And the bigger it got the more difficult it got to remember how everything fitted together – especially since all the dust covers had to be removed and then cut to size and reapplied at the final stage.

Out of all of my sculptures ‘Magnet’ has had one of the most interesting lives so far. Originally titled Toy Tower it was changed to Magnet after its first showing when it became evident that its powers of attraction seemed to work on children and adults in equal measure. On the first day of Magnet’s first exhibition the person invigilating told me that they had looked over to where my sculpture should have been, only to find that it had disappeared. Apparently four little boys had managed to sneak the piece out into the street before being chased off by the invigilator, who wheeled the sculpture back into the gallery again.
Although originally constructed quite some time ago Magnet has had to be rebuilt several times as, over the years, the temptations of numerous collectors and souvenir hunters have obviously got the better of them. After almost every show I would find that pieces of the sculpture were missing. But as the toys in the sculpture date from the 60's to present day it's probably not that surprising. I sometimes wonder though, whether renaming it Magnet was just tempting fate.

States of Reverie
13 January – 20 February 2011
Scream gallery, 34 Bruton Street, London W1J 6QX
+ 44 (0) 20 7493 7388
Opening times: Mon-Fri 10am-6pm; Sat-Sun 11am-5pm

Geneva Art Fair - The Book

Laurence Longueville who curated last year’s Art Park Fair International in Geneva, Switzerland has just produced a book to commemorate the event. This guide features work by over 22 emerging and established international artists (me being one of them). An image of my life-size model kit sculpture, ‘And When I’m a Man’, appears somewhere in the middle of the catalogue.
To view the book and its contents on-line just click on this link.

'Scratch' film set

'Scratch' film set, originally uploaded by Wayne Chisnall.

I spent most of this weekend on the set of a new film ‘Scratch’. Why, I hear you ask? Well I’ll tell you. On my birthday I met an interesting young film director by the name of Jakob Rorvik. After checking out, and being very impressed with his work (check out his website – www.jakobrorvik.com) I was pleased to receive an email from him asking if I would like to have one of my sculptures, ‘And When I’m a Man’ (the big green model kit piece) feature in his new film, set in the art world of East London. Strangely enough the original location was going to be Candid Arts in Islington, where the piece is currently stored. I thought ‘bonus’ – I won’t have to move it very far. However, the eventual location was to be the Jago Gallery in Redchurch Street, Shoreditch – a gallery where I had previously exhibited. In the end we used four of my sculptures in the shoot – with the other three being ‘Dreams of Being Batman’, ‘Baby Kit’ and ‘Nail Box’. Someone joked that it looked like I was having a solo show.

Here is some info about the film, that I lifted from Jakob’s site -

Lena is a young art student new to London. Calling it her art project, she obsessively follows and takes pictures of an unwitting Sol; a scruffy, charismatic 20 year old, by all appearances homeless, who drifts around in numerous detached relations to people affiliated with the art scene.
Her project takes a wrong turn when Sol discovers her. Fascinated by her odd behaviour, Sol is now the one to follow her.
Against a backdrop of contemporary East-London, Sol and Lena gradually expose each other’s dreams, fears and lies.

The cast includes Viktoria Winge (Reprise), Luke Treadaway (Brothers of the head, War Horse), Patrick Kennedy (Atonement) and Montserrat Lombard (Ashes to Ashes, Vanilla Song).
The film is produced by Tamsin Lyons at the Oscar-Winning production company Breakthru Films and Yngve Sæther at Motlys.

'& When I'm a Man (I'll Think As a Man)', Wayne Chisnall

'& When I'm a Man (I'll Think As a Man)', Wayne Chisnall, originally uploaded by Wayne Chisnall.

I've posted an image of this piece because this year is the tenth anniversary of the year that I properly became a sculptor and this sculpture was the starting point. Although, technically speaking I started making the molds for it in the latter part of 1997.

A couple of years after I first exhibitied this piece I started getting emails and phone calls from friends asking if I was exhibiting it in different galleries all over the place. It turned out that a few other artists had made similar sculptures after I had made mine. I suppose there was a bit of a zeitgeist thing going on. I'd be interested to know if anyone had made something similar before 1998.

Ironically, 'And When I'm A Man' is probably the largest sculpture that I have made to date. Most of my current sculptural work tends to be made up of small detailed components that grow outwards or upwards.

As well as being made from 12 separate body casts of myself (a self portrait, I suppose) 'And When I'm A Man' is based on the type of model kit that I used to buy as a child. When creating the piece I was interested in childhood perceptions of adulthood and the role that toys played in this, as I noticed that many figurative toys were that of adult characters.

Date: 1998
Dimensions: 230 x 170 x 18 cm
Materials: fibreglass, resin & plastic.