Sketchbook to America

I’ve finally finished my sketch book for the Art House Co-op Sketchbook Project - and this morning I posted it off to the Brooklyn Art Library, where it will join all other sketchbooks ready for the nine state tour. All the books submitted in time will do a tour of galleries and museums in Brooklyn, Austin, San Francisco, Portland, Atlanta and Chicago - where the public will be able to book them out like regular library books.

Here are a few drawings from the one that I have just sent off. If you would like to see the entire sketchbook I will shortly be posting all of the drawings (all 40 pages) on my other blog - Oodles of Doodles. I’ll aim for one post a day but we’ll see how it goes.

This drawing takes its inspiration from my sculpture, The City.

As you can see - I have a bit of a thing for boxes on wheels...

...and for things bursting or pouring out of boxes.

So far six states, have signed up to play host to the show but it is likely that more states will take part before the exhibition starts in March 2011. After the tour, all sketchbooks will enter into the permanent collection of The Brooklyn Art Library, where they will be bar-coded and available for the public to view. All participating artists on the tour have a webpage in which to show off their work – and here’s mine.

Hairy Wednesday

Fetish, originally uploaded by Wayne Chisnall.

Just a quick reminder that you can get to see my Fetish sculpture (the one made out of human hair) this coming Wednesday at the opening of the Royal British Society of Sculptors’ new exhibition, Found, at their Gallery in South Kensington, London. And on Wednesday the 24th March I’ll be giving a short talk about my work with found materials. To find out the full details click on the e-flier below.

Sketchbook Archive # 01

The City/Fetish Mutated

If asked ‘what is the first thing you would try and save in a fire?’ I imagine that most artists would say sketchbooks (OK - if they had kids, they ‘might’ say kids first) – yet when it comes to exhibitions and the art world in general, these vital documents go largely over-looked. I know that not all artists use sketchbooks but to me they are invaluable. Not only do they act as a form of external memory (one of the worst things is to have a great idea for a piece, not make a note of it, then forget what it was) that you can come back to years later and find new inspiration in, but they also allow you to work out your mistakes without having to make them in the physical world.
So, as a tribute to the ‘the sketchbook’ I decided to start a regular (well, I say regular – I imagine that there will be more than one) Sketchbook Archive post on my blog, where I show a few examples of my working-drawings and talk about what was going through my mind at the time (cue the sound of wind and tumbleweed rolling across the prairie).
So, there goes –
The images above are perfect examples of what would happen if I could cross-breed some of my sculptures. Or rather, what the outcome would be if I started mixing some of the materials and techniques from one piece with that of another. These drawings take their inspiration from my earlier sculptures, The City (made mostly of wood and found materials) and Fetish, made from human hair. Ever since I first made Fetish I’ve been both fascinated and repulsed by the use of hair as an artistic medium. I love the look of it as a material but it feels horrible when you have to mix it, by hand, with glue. However, hair is a great thing to draw as it seems to dictate its own flow. But when I start introducing the rigid structure of wooden frames and boxes into the drawing, a kind of equilibrium or harmony comes into play and the two materials start to dictate the overall form the potential sculpture might take.
In a couple of the sketches you can see where I’ve experimented with adding items that I’d previously used in other sculptures – things like tubes, teeth and doll parts. This is one of the great things about sketchbooks – you can be a playful, dark or as silly as you like. And often, some of the best pieces come from what you originally thought of as just a stupid idea or from the crudest thumbnail sketch.